“Luminous seems the best word to describe this piece. I Am Rose shimmers and lingers, using harmonic clusters and repeating rhythmic figures to create what the composer refers to as ” a kind of mantra.” While this is not to neglect the sections of the work indicated as “whimsical,” “playful,” or “joyous,” the smooth and dreamy sections arethe true hallmarks of this work, winning one over with their feeling of timelessness.
I Am Rose is scored for tape and six-part women’s voices, and is ideal
for teaching part independence. The twentieth-century harmonic language includes the liberal use of tone clusters, which originate as unisons. Several exposed chords are more clearly tonal to the ear. Meter changes are frequent, but the quarter-note pulse is steady throughout, presenting few rhythmic challenges. The electronic accompaniment is available from the publisher in either cassette or DAT format, and cues are provided for rehearsal with keyboard.
The various meanings of the word “rose” – name, flower, color, and even verb should lead singers into engaging discussions of interpretation. Conductors will enjoy investigating and performing the spectrum of colors and emotions in the work, and audiences should be fascinated by the result.” –Robert K. Demaree, The Choral Journal